Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Anthony Van Dyck
Anne Fitzroy, Countess of Sussex

ID: 81990

Anthony Van Dyck Anne Fitzroy, Countess of Sussex
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Anthony Van Dyck Anne Fitzroy, Countess of Sussex


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Anthony Van Dyck

Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.  Related Paintings of Anthony Van Dyck :. | Portrait of GeorgeGage with Two Attendants | Portrait of Sir George Digby, 2nd Earl of Bristol, English Royalist politician | blenheim palace | Portrait of Lord George Stuart | auguste garneray |
Related Artists:
Juan de Valdes Leal
Seville 1622-1690 was a Spanish painter of the Baroque era. He was born at Seville in 1622, and distinguished himself as a painter, sculptor, and architect. He worked for a time under Antonio del Castillo. Among his works are a History of the Prophet Elias for the church of the Carmelites; a Martyrdom of St. Andrew for the church of San Francesco at Cerdoba; and a Triumph of the Cross for la Caridad at Seville. He was one of the founders of the Seville Academy along with his friend, Bartolome Esteban Murillo. He died at Seville. His wife (daughter of Antonio Palomino), Isabella Carasquilla, was also a painter. She died at Seville as late as 1730. Their children were artists, including Lucas, Juan, Maria, and Laura de Valdes. His daughters specialized in portrait miniatures.
Jean Pillement
French Rococo Era Painter , 1728-1808 was a painter and designer, known for his exquisite and delicate landscapes, but whose importance lies primarily in the engravings done after his drawings and their influence in spreading the Rococo style, and particularly the taste for chinoiserie, throughout Europe. Pillement, born in Lyon, had an unusually cosmopolitan career. He moved from Paris, working for the Gobelin factory to Lisbon, where the need to rebuild after the disastrous 1755 earthquake had created many opportunities. There he was working in Queluz (Sintra) and for the Dutch consul, the known art collector Jan Gildemeester. Pillement spend eight years in England, fully exploiting the English taste for landscapes. There the paintings by Nicolaes Berchem inspired him. Pillement came acquainted with David Garrick, a famous actor, and his Austrian wife Eva Maria Weigel, collectors of his work in England. Pillement went to Vienna and in 1765 he went to Warsaw, decorating the Royal Castle in Warsaw and the Ujazdowski Castle, his largest project, commissioned by Stanisaw August Poniatowski. He also worked in Saint Petersburg, the Piedmont, Milan, Rome, Venice. Pillement travelled to Paris to work for Marie Antoinette in the Petit Trianon.
Luis Melendez
1716-80 He assisted his father, artist Francisco Melendez, until 1737, when he began studying with Lewis-Michel Vanloo, the court painter to Philip V of France. Although accepted (1745) into the Spanish Royal Academy of Fine Arts, he was expelled after his father denounced the academy in a dispute over a royal competition. After traveling throughout Italy, he returned to work for his father as an illustrator of choirbooks.






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